About Daniel Icaza

Daniel Icaza is a visual artist and metalsmith. Having received a Windgate fellowship after completing his BFA in Metals and Jewellery at ASU, he currently lives and works as a full time artist and jeweller in his home country of Costa Rica. "Although I create art out of a variety of mediums and for a variety of reasons my area of focus for the past few years has been on the complex relationships between art and money and what people value". For more information on Daniel Icaza and his current art series please visit this link: Monetary Bondage

Exchanghibition Collaboration 2012

I recently had the opportunity to meet with Dadara on his resent visit to Costa Rica. For those who may not know, I have been collaborating with Dadara overseas for some time now. So, it was really nice to meet in-person and talk for a bit.

For more information on the collaborative project follow this link: The Art of Turning Art Into Money and Back Into Art Again

Follow this link to learn more about: “Monetary Bondage

Icaza & Dadara

Icaza & Dadara

The newest addition to Dadara’s “Exchanghibition Bank Project” is the “2012 Money/Art Note“. As I have already bonded all the previous “Money/Art Notes” it just felt right to complete the set and “bond” this note as well.

I always have fun bonding one of Dadara’s notes as there is never a shortage of inspiration. It seems that every time I bond one of these notes, I become inspired to try a new approach to my “Money Bonding” process.

2012 (Pink Side), Daniel Icaza & DADARA, 2012 Fine Silver, Glass, Sea Shell (Zigzag Scallop), 18ct Pink Corundum, 9ct Green Corundums, Paper Money?

2012 (Pink Side), Daniel Icaza & DADARA, 2012 Fine Silver, Glass, Sea Shell (Zigzag Scallop), 18ct Pink Corundum, Paper Money?

This note was no exception. This is the first note I have ever bonded using sheets of glass instead of metal. I also decided to wire-wrap the assembly together, instead of using rivets or bezels as I have done in the past. I am really happy with the results and feel that this is a great addition to the rest of the notes.

I am also very excited to see how other peoples ideas for change will be manifested with the aid of this project. So far, there have been two very interesting and insightful ideas shared by “Daniel Pinchbeck“ and ”Ross Ashcroft“. And I can’t wait to read about other peoples ideas for change.

2012 (Green Side), Daniel Icaza & DADARA, 2012 Fine Silver, Glass, Sea Shell (Zigzag Scallop), 18ct Pink Corundum, 9ct Green Corundums, Paper Money?

2012 (Green Side), Daniel Icaza & DADARA, 2012 Fine Silver, Glass, 9ct Green Corundums, Paper Money?

If you would like to read a little bit about my thoughts, feel free to follow this link: “Art, Money, Value?”

If you would like to see a little bit of the other bonded Exchanghibition Bank notes “CLICK HERE“.

I am not sure if there will be any future Exchanghibition notes, but information will be posted about where they may be displayed in the future; as they are currently in Dadara’s possession to use in conjunction with the Exchanghibition Bank project.

Until next time.
Peace and Love

Art, Money, Value

I was recently asked if I would be willing to share some thoughts about why I do what I do and some of my ideas regarding art and money.

I am very happy and excited to do so, I just have a very hard time synthesizing my thoughts into coherent writing, particularly with this subject matter. After a little focused concentration, this is what I came up with… Enjoy! ;o)
What is “art” and what is “money”? And why do we value them?

Money, Art, Monetary BondageX

“5 Colones?”, Daniel Icaza, 2011, Copper, Silver, Paper Money

There are many ways to look at the relationships between these ideas and I am simply thinking out loud here…
“Art” has many different definitions and I would argue that everyone has their own interpretation of what art is. Some definitions are very specific while others are incredibly vague.

The definition of “money” can be as specific or vague as the definition of “art” depending on the context and view point of the individual or group that defines it, and the time period in which they lived.

One of the most challenging factors in coming up with a specific and all inclusive definition for these concepts (art/money) is the fact that they are always changing and evolving into new representations.

The first “exchangeable goods” (aka: money) were stones, shells and beads; then came coins and paper, and now we have digital money which is in many ways intangible.

What exactly is “art”? Is it painting, sculpting, drawing, dancing, literature, or all of the techniques of creation which people often refer to as an art form; from cooking to science and technology or performances (which are similarly intangible)?

Everything is subjective. “One man’s trash is another man’s treasure.”

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The Art of Turning Art Into Money and Back Again: Part 4: The Reveal

The transformation of an “Exchanghibition Bank Note” into “Monetary Bondage” concludes!

Monetary Bondage Zero (Art)

"Zero" (Art), Daniel Icaza & Dadara, 2011, Fine Silver, Filigree, Exchanghibition Zero Bank Note

Here is the final transformation of an “Exchanghibition Zero Note” into “Monetary Bondage”. I had a very difficult time deciding what imagery or design/s to use in the silver plates, but in the end I thought it would be best to simply highlight the central concept of art vs. money.  And the question/s still remain. Is this “Art” or “Money”?

Monetary Bondage Zero (Money)

"Zero" (Money), Daniel Icaza & Dadara, 2011, Fine Silver, Filigree, Exchanghibition Zero Bank Note

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The Art of Turning Art Into Money and Back Again: Part 3: Bonding

The transformation of an “Exchanghibition Bank Note” into “Monetary Bondage” continues…

Just finished fabricating the frames that will bond an Exchanghibition Zero.

Monetary Bondage Frames

The finished frames being cleaned for bonding.

After completing the fabrication of the silver plates, they needed to be cleaned and patinated.

Exchanghibition Bonding

All the parts ready to be put together.

With all of the components ready to go, the time to “bond” has now come.

Bonding Order

Making sure everything is properly stacked.

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The Art of Turning Art Into Money and Back Again: Part 2: Construction

The transformation of an “Exchanghibition Bank Note” into “Monetary Bondage” continues…

In my previous post about this collaborative project (The Art of Turning Art Into Money and Back Again: Part 1: Design) I discussed my “brainstorming”/design process for creating the metal frames that I use to bond “money”. After creating several different designs I have finally come to a decision on a conceptual design. It is now time to start making the actual frames! I don’t want to post any images of the “conceptual design” as I want the final piece to be a bit of a surprise. (hehehe sorry!)

Molten Silver

Fine silver being melted in a crucible.

The first step in the “creation process” is to prepare all of the necessary materials I will need to make this work of “art” a reality. To go through all of the steps required to make the wire and other elements needed to complete this project would make for a very lengthy post and I don’t want to put any readers to sleep. So, I will just say that all of the materials are “made from scratch” by my own two hands (although I did not actually mine the metal) and this takes a great deal of time and effort. If you are interested in reading a detailed description on how I prepare my materials to create artistic objects (like these “plates”) please follow this link… CLICK HERE

silver wire

Fine silver wire on its way to becoming filigree!!!

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The Art of Turning Art Into Money and Back Again: Part 1: Design

Part 1 of the Exchanghibition Bank/ Monetary Bondage Collaboration… To read the introduction please CLICK HERE.

Now that I have some Exchanghibition Bank Notes I can begin designing the metal frames that will bond one of these “money bills”. One of the greatest challenges for me with this project is figuring out how to bond one of these notes without covering up all of Dadara’s beautiful imagery and message/s.

In order to do this I have decided to construct the metal frames that will bond the note out of fine silver filigree. I have never bonded a money note in this way so I hope it works and looks the way I intend. For anyone that is not familiar with filigree, it is a very delicate metal work process, where small twisted wires are joined (soldered) together to create an object. In this case the object/s will be metal frames/plates that will bond an Exchanghibition Bank Note.

Monetary Bondage Design Process By: Daniel Icaza

Some of the tools and materials I use in my design process.

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The Art of Turning Art Into Money and Back Into Art Again

Art or Money? That is the question.

All money has to be designed or artistically created at some point, but when does art turn into money and money turn into art?

These questions have been on my mind for a very long time now and have caused me to address them in my art over the years. The first time I encountered this blog and began reading about “Dadara” and the “Exchanghibition Bank“/ “Pool of Plenty” concept/s, I was really excited to see another artist dealing with similar concepts and ideas in their work, but approaching the topic from a very different angle.

Since 2008 I have been embellishing/bonding “money” and other objects that have an easily identifiable value and in this process I transform those objects into “Art”. After discovering the “Exchanghibition Bank” I felt compelled to “bond” at least one of these gorgeous ”art/money notes”, but I thought I would ask the bank for its’ opinion before doing so. After a few email conversations with Dadara I have entered into a sort of artistic collaboration to transform an “Exchanghibition Bank Note” into a piece of “Monetary Bondage“.

"100 Dollars?", Daniel Icaza, 2009

"100 Dollars?" (front, from the series "Monetary Bondage"), Daniel Icaza, 2009, Copper, Vitreous Enamel, Silver, Brass, Copper/Nickel Mokume-Gane, Paper Money

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